Posts Tagged ‘The Pleasure Garden’

Alfred Hitchcock directs Nita Naldi in The Mountain Eagle (1926)

July 31st, 2014

Alfred Hitchcock arrived in Munich in late September 1926 to start work on The Mountain Eagle, his follow-up to The Pleasure Garden (1926) as arranged by Michael Balcon for Gainsborough Pictures.

Based on a story called Fear O’God, it starred the American actress Nita Naldi and British actor Malcom Keen and was filmed in the Emelka studios in Munich and on location in Obergurgl in the Urz valley, the highest village in the Austrian Tyrol.

When Naldi arrived she was dark, Latin, slinky and glamorous, with four-foot heels and long nails. Dressed in black with a black dog to match, she called the elderly Barclay ‘papa’. She was also ‘cynical, irreverent, bawdy, often undisciplined, and far more intelligent than she let on and she never took herself too seriously’.

Playing against type as a straight, unsophisticated heroine. Naldi had been typecast in the past as a femme fatale vamp and had made her name with John Barrymore in Dr Jekyll and Mr Hyde (1920) and then with Rudolph Valentino in Blood and Sand (1922) and DeMille’s Ten Commandments (1923). At the time she was taking an extended vacation in Paris with her companion, the wealthy James Searle Barclay, Jr, who was twenty-four years her senior and whom she would later marry.

 

Alfred Hitchcock directs Nita Naldi in The Mountain Eagle (1926)

Alfred Hitchcock directs Nita Naldi in The Mountain Eagle (1926)

 

Hitchcock found her to be an amusing woman, bizarrely at odds with her statuesque screen presence and despite her protests transformed her to match the demure and plain character she was to play. They remained friends and when Alfred Hitchcock and Alma Reville married in December 1926, they spent some time in Paris with Nita Naldi before spending the rest of their honeymoon in the Palace Hotel in St Moritz.

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

Published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132

Paperback, £14.99, 
ISBN 9781909230101

From Amazon.co.uk

From Amazon.com

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125

Apple ebook, £8.99, 
ISBN 9781909230118 (Through Apple / iTunes – search for title on iTunes bookstore)

The Rat (1925) and the Cutts-Hitchcock Divide

July 23rd, 2014

The Rat (1925), directed by Graham Cutts and filmed at the Islington studio was the first in, what was to become, a fabulous trilogy following the adventures of a low-life Parisian Apache played brilliantly by Ivor Novello. One of the early Gainsborough Pictures it was hailed as ‘a triumph for British film industry’ and was seen as ‘a British picture that will do much to encourage the future of British effort.’

 

Mae Marsh and Ivor Novello in the Gainsborough Picture The Rat (1925) directed by Graham Cutts and filmed at the Islington studio

Mae Marsh and Ivor Novello in the Gainsborough Picture The Rat (1925) directed by Graham Cutts and filmed at the Islington stud

 

Cutts was delighted to be able to use the American actress Mae Marsh once again as he had directed her previously in Flames of Passion (1922) and Paddy the Next best Thing (1923) both filmed at the Islington studio for Graham-Wilcox productions but he also secured the added beauty of Isabel Jeans playing the vamp responsible for most of the thrills and all the trouble.

The film was also significant as it was the first film in which Cutts did not use Alfred Hitchcock, after having him as assistant director on several previous projects. Due to the clear antagonism that had surfaced between the two, Michael Balcon and separated them and was to send Hitchcock with Alma Reville to Berlin to film The Pleasure Garden (1926).

The Rat scored a big reaction in America and the review from Harrison’s Report, a New York based film trade journal, was exceptional: ‘If the majority of the pictures that are made in Great Britain are as well directed and acted and the plot is as well constructed as in that of The Rat, the American exhibitors need not worry about shortage of good pictures. All that will be necessary for the British producers to do then will be to create a demand for their product among the American public and they will find the American exhibitor a ready buyer. From the point of view of production The Rat is distinctive. The scenarist has shown unusual intelligence in the development of his plot: he has taken so good a care to do the characterising that when the heroine offers to sacrifice her life to shield the man she loves, one takes such a sacrifice as natural. The plot unfolds smoothly: the direction is skilful, the acting particularly of the principal characters is extremely artistic. Miss Marsh appears winsome and Mr Novello a he-man. It is a picture that no first rate theatre need be ashamed to show.’

 

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

Published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132

Paperback, £14.99, 
ISBN 9781909230101

From Amazon.co.uk

From Amazon.com

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125

Apple ebook, £8.99, 
ISBN 9781909230118 (Through Apple / iTunes – search for title on iTunes bookstore)

John Stuart and Virginia Valli in Alfred Hitchcock’s The Pleasure Garden (1926)

July 4th, 2014

A picture that missed getting into London’s Hollywood is this charming portrait of John Stuart and Virginia Valli in Alfred Hitchcock’s The Pleasure Garden (1926) filmed in Munich at the Emelka Studios.

Regarded as Hitchcock’s first ‘true’ feature film in a directorial capacity it was filmed in the summer of 1925 and also starred Carmelita Geraghty and Miles Mander. Despite overall praise for the finished picture things were not all rosy, and at the time there was much internal politics at Gainsborough Pictures which led to complications for Hitchcock that held up the national release.

John Stuart & VV Pleasure Garden

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

will be published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132
Paperback, £14.99, 
ISBN 9781909230101
From Amazon.co.uk
From Amazon.com
From The Book Depository (hardback)
From The Book Depository (paperback)

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125
Apple ebook, £8.99, 
ISBN 9781909230118
(Through Apple / iTunes – search for title on iTunes bookstore)