Posts Tagged ‘Jazz Age’

The Rocky Twins: Norway’s Outrageous Jazz Age Beauties

July 17th, 2018

My next book is an illustrated biography about the Norwegian Rocky Twins due 3rd September 2018.

Admired for being stunningly handsome, the Norwegian Rocky Twins were dancers who had a ten- year career in Europe and America appearing on stage and in film between 1927-1937. Their beauty, their androgynous look and their outrageous antics made them legendary.

 

The cover for The Rocky Twins: Norway's Outrageous Jazz Age Beauties

The cover for The Rocky Twins: Norway’s Outrageous Jazz Age Beauties

 

The Norwegian Rocky Twins (born Leif and Paal Roschberg) were deliciously handsome, outrageous and lived life to the full. They made a name for themselves as dancers in the Paris music hall in the late 1920s at the tender age of eighteen. Their act took Paris by storm because in one of their numbers, they dressed up in drag and imitated the famous Dolly Sisters, who had just retired.  Their unique performance enabled them to star on the stage and in film across Europe and America (Paris, London, Vienna, Budapest, Berlin, Oslo, Stockholm, Copenhagen, New York and Los Angeles) and at the same time their good looks became highly sought after by connoiseurs of the body beautiful of either sex.

  • The first illustrated biography of the dancing Norwegian Rocky Twins who were stars of film and stage in the Jazz Age on both sides of the Atlantic.
  • Based on extensive research over 30 years.
  • Includes over 100 photographs in colour and black and white.
  • Insight and detail about nightlife and the entertainment world in London, Paris, New York, Vienna, Scandinavia, New York and Hollywood in the golden age of stage and screen.
  • Exposes some of the secrets of pre-code Hollywood in the early 1930s.
  • Explores the secret gay world on both side of the Atlantic and the ‘Pansy Craze’ in America in the early 1930s.
  • They were regarded as two of the best dressed and most handsome men in the world.
  • Their impersonation in drag of the Dolly Sisters became legendary.
  • A colourful life story that has made them ‘gay legends.’
  • They were once called ‘The Black Orchids of the North.’
  • Covers their career as the Rocky Twins and their later life during and after World War Two.
Full cover for The Rocky Twins: Norway's Outrageous Jazz Age Beauties

Full cover for The Rocky Twins: Norway’s Outrageous Jazz Age Beauties

 

For more information about the book click here for the book webpage

Dolly Sisters and Mr Selfridge

November 30th, 2015

The commentary about the Dolly Sisters and Mr Selfridge, in advance of the last series of the ITV show, has started already with the latest feature from The Mail on Sunday.

Thankfully, this assessment is not too bad and instead of blaming the Dolly Sisters for ruining him and describing them as gold-diggers, the blame is set squarely on Selfridge himself by stating that he ‘was financially ruined because of his obsession with twin dancers.’ This is a stance I have advocated in my biography about the Dolly Sisters and relentlessly followed over the years since publication.

However, it is disappointing that there are the usual misleading comments such as Andrew Davies’ (the dramatist who created the series) assertion that Selfridge definately slept with Jenny but it is not clear if he bedded Rose (note : her name was Rosie). This plants a seed of doubt about the morals of both sisters and actively encourages a salaciousness about Selfridge’s activities with both sisters which of course sounds intriguing but is untrue. Let’s get this straight right away – Selfridge’s ‘relationship’ was just with Jenny not Rosie. Jenny was the object of his affection not Rosie. It is important to know that when they met in 1925 Rosie was already engaged to the French socialite Francois Dupre.

Interestingly, in 1922 the Dollies appeared in vaudeville with Harry Richman, the singer and dancer and a well-known womaniser. He said of them ‘As far as I knew, they got their fabulously expensive fur coats and evening dresses solely because they were so beautiful, not because of bestowing their favours. Whenever anybody asked “where did you get that coat?” the sister who was asked would only give a sly, secret smile. They were highly moral as a matter of fact . . . a good many girls I knew got mink coats in the traditional manner. The Dollies had such class and were so sweet and gracious they never had to sleep with men.’  

Let us also not forget that the sisters were twins – one came with the other – and they spent a lot of their time together until Rosie married in 1927 (and, not to Francois Dupre either). And, in courting one – Jenny – Selfridge would have found Rosie not too far away.

It is also relevant that Jenny had another prominent suitor besides Selfridge – a wealthy Belgian businessman called Jacques Wittouck. From 1925, the two men would be inextricably linked with her for the next ten years, with constant rumours of marriage as each took it in turn to be her escort as they vied for her attention in a rather unusual menage à trois. The story is not a simply one-sided one. Indeed, when Jenny had her accident in 1933 she was allegedly with a third and younger suitor called Max Constant.

There are a few other inconsistencies in the Mail on Sunday feature that need airing first of all it was not JUST the Dolly Sisters that loved to gamble but it was also a favourite pastime of Gordon Selfridge himself. They were by all accounts a perfect match. It was recognised that as Selfridge grew older his passion for gambling became more intense and was in fact a substitute sexual life. Secondly, both Selfridge and Wittouck asked Jenny to marry them on numerous occasions before 1933 and there were by all accounts many false reports.

Simply put, if you are interested in the truth, buy my biography about the Dolly Sisters to get the full and true story. There is also a new book out in January 2016 entitled The Dolly Sisters in Pictures!

http://www.eddittpublishing.com/books/dolly-sisters
http://www.eddittpublishing.com/books/the-dolly-sisters-in-pictures
http://www.jazzageclub.com/dolly-sisters

dolly2

DS Pictures BOOK 3D

London’s Hollywood Review

November 10th, 2014

Nathalie Morris, (archive curator at the BFI) offers a positive review in Sight and Sound Magazine (December 2014)

 

‘valuable and enjoyable… a detailed and thorough study.’

‘provides valuable and enjoyable studies of a huge range of films while placing the studio within the context of issues affecting filming making across this period.’

‘a worthwhile addition to the growing body of research on British silent cinema.’

‘Chapman’s book chronicles, film by film, both the titles produced by the studio from 1920 onwards and those made by the company Gainsborough Pictures.. even when these were shot elsewhere. This approach helps build a sense of continuity across projects and careers, and gives an impression of the wider production scene in and around London.’

Chapman makes steps toward a major reassessment of the career of Graham Cutts ‘with a passionate defence of the director and his work.’

‘Another strength of the book is its highlighting of other personnel and roles such as costume designer Marcelle de Saint Martin… and continuity supervisor Renie Marrison.’

Chapman also ‘offers useful and informative pocket biographies of the host of other directors, writes, cameramen and actors who crossed the studio’s threshold during the 1920s’

LH Review S&S copy

London’s Hollywood: The Gainsborough Studio in the Silent Years

The first ever evaluation of the history, output and achievement of the most iconic film studio in London during the 1920s ‘a microcosm of the evolution of the British film industry during the silent era’…

BOOK 3D copy 2

 

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Special offer through The Great British Bookshop

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Paperback, £14.99, 
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Special offer through The Great British Bookshop

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Marcelle de Saint Martin and British silent film

October 13th, 2014

French born Marcelle De Saint Martin, became the first true head of a cohesive costume or wardrobe department for a British film studio beginning work at the Islington film Studio in the early 1920s.

A creative, talented and a striking beauty she had found great success designing costumes for the stage in London at the end of the First World War before joining Famous Players Lasky British Producers Ltd at their brand new American built and financed enterprise in a converted power station. And yet, her career as a designer for British silent film was sadly all too brief and short-lived.

 Read her full story here

The French designer, Marcelle De Saint Martin with some of her costume designs for productions filmed at the Islington film Studio in the early 1920s for Famous Players Lasky British Producers Ltd

The French designer, Marcelle De Saint Martin with some of her costume designs for productions filmed at the Islington film Studio in the early 1920s for Famous Players Lasky British Producers Ltd

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

Published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132

Paperback, £14.99, 
ISBN 9781909230101

From Amazon.co.uk

From Amazon.com

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125

Apple ebook, £8.99, 
ISBN 9781909230118 (Through Apple / iTunes – search for title on iTunes bookstore)

Interview about London’s Hollywood in the Camden Review

September 25th, 2014

Interview about London’s Hollywood in the Camden Review

Click here to read

 

Screen Shot 2015-06-12 at 12.41.57

Screen Shot 2015-06-12 at 12.41.57

Video for London’s Hollywood

September 22nd, 2014

A visual tour of the history of the Gainsborough (or Islington) studio in the silent years

‘a microcosm of the evolution of the British film industry during the silent era’.

Youtube video link

 

 

The jockey Stephen Donoghue – an unlikely British silent film star

August 20th, 2014

Come on Steve – a jockey as a British Silent Film Star!

 

Stephen Donaghue on the front cover of Picturegoer

Stephen Donaghue on the front cover of Picturegoer

In late 1925, C.M. Woolf persuaded Michael Balcon to produce a series of six two-reel racing pictures starring Stephen Donoghue, the most celebrated champion jockey of his day. Walter West, who had made his name at Broadwest in the early 1920s creating numerous racing dramas was engaged as director.

Stephen Donoghue, Carlyle Blackwell and Frank Bullock winning the studio stakes - during filming of Riding For a King (1926) at the Islington studio

Stephen Donoghue, Carlyle Blackwell and Frank Bullock winning the studio stakes – during filming of Riding For a King (1926) at the Islington studio

Despite being an unlikely British silent film star, Donoghue took to the medium of film like a duck to water and was not in the least bit camera conscious or awkward. Asked how he liked making his film debut he said ‘Great… everything’s so new and absorbingly interesting and I’m, enjoying every minute of it. I almost feel I should like to give up everything else and make screen acting my profession – although of course, I don’t know very much about it yet. I just do what Mr West tells me and hope for the best.’ He claimed he wasn’t too nervous before the camera because he had been interviewed and photographed so many times before.

Frank Bullock (Australian jockey champion- seen left) visited the Islington studio one day to see how his colleague Stephen Donoghue (far right) was enjoying his film experience. With Carlyle Blackwell and June.

Frank Bullock (Australian jockey champion- seen left) visited the Islington studio one day to see how his colleague Stephen Donoghue (far right) was enjoying his film experience. With Carlyle Blackwell and June.

The first film to be produced was Riding for a King, which featured Donaghue and Carlyle Blackwell, Miles Mander and the pretty actress June Tripp (simply called June). Filmed by Bert Cann, one of America’s foremost cameramen, the story was about a jockey hero whose unhappy fate was to love Lady Betty Raleigh (June). Blackwell and Mander were already well established silent film stars but June was a relative newcomer. June said that she had been engaged for the picture without any sort of test and wanted to feel ‘that I’m justifying the choice.’

Stephen Donoghue and June in a scene from Riding For a King (1926) filmed at the Islington studio

Stephen Donoghue and June in a scene from Riding For a King (1926) filmed at the Islington studio

The picture’s chief purpose was ‘providing a full-length study of Donoghue’s personality in private life and on the racecourse’ and he was seen as a slight, youthful looking, charming little man, with an evident sense of humour. No-one would ever suspect that he had a grown-up son, also a jockey.

Needless to say, the race climax was the best part of the film. Another five pictures were filmed in the first few months of 1926 and released thereafter: Dark Horses, A Knight of the Saddle (with Carlyle Blackwell and Madge Stuart), Beating the Book (with Carlyle Blackwell and Violet Hopson), The Stolen Favourite and The Golden Spurs (with Irene Russell).

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

Published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132

Paperback, £14.99, 
ISBN 9781909230101

From Amazon.co.uk

From Amazon.com

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125

Apple ebook, £8.99, 
ISBN 9781909230118 (Through Apple / iTunes – search for title on iTunes bookstore)

The ‘lost’ British silent film Woman to Woman

July 11th, 2014

Considered to be one of the most important ‘lost’ British silent films, Woman to Woman (1923) was directed by Graham Cutts for Balcon-Saville-Freedman.

The American actress Betty Compson was the star and here she is in her stunning ostrich-feather dress designed by Dolly Tree composed of over 200 ostrich feather plumes and 1,000 pearls.

Betty Compson in the 'lost' British silent film Woman to Woman (1923)

Betty Compson in the ‘lost’ British silent film Woman to Woman (1923)

Filmed at the Islington studio in the summer of 1923 it had an estimated budget of £40,000 and when released was thought to be an outstanding British silent film and called a triumph.

Perhaps most poignantly the film did ‘one important thing astonishingly well – it forever blasts the delusion that a production, technically perfect, cannot come out of a British studio’.

Cutts liked music in the studio and was pleased that Betty was not just a tireless worker but also a wonderful violinist. She spent most of her time when she was not working playing the violin in a little orchestra, endeavouring to act as an inspiration to her director. The three-piece orchestra (piano, cello and violin) was there to aid Betty’s acting for she was incapable of registering emotion without the aid of it. Throughout the production the orchestra would play specific tunes such as ‘Mighty Like a Rose’ and then she could cry. But it didn’t go down well with Michael Balcon, who would wince whenever he heard the tune thereafter!

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

will be published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132
Paperback, £14.99, 
ISBN 9781909230101
From Amazon.co.uk
From Amazon.com
From The Book Depository (hardback)
From The Book Depository (paperback)

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125
Apple ebook, £8.99, 
ISBN 9781909230118
(Through Apple / iTunes – search for title on iTunes bookstore)

John Stuart and Virginia Valli in Alfred Hitchcock’s The Pleasure Garden (1926)

July 4th, 2014

A picture that missed getting into London’s Hollywood is this charming portrait of John Stuart and Virginia Valli in Alfred Hitchcock’s The Pleasure Garden (1926) filmed in Munich at the Emelka Studios.

Regarded as Hitchcock’s first ‘true’ feature film in a directorial capacity it was filmed in the summer of 1925 and also starred Carmelita Geraghty and Miles Mander. Despite overall praise for the finished picture things were not all rosy, and at the time there was much internal politics at Gainsborough Pictures which led to complications for Hitchcock that held up the national release.

John Stuart & VV Pleasure Garden

 

London’s Hollywood: The Gainsborough Studio in the Silent Years 

will be published 15th July 2014

A detailed look at the British Silent Film industry with this first ever evaluation of the history, output and achievement of the most iconic film studio in England during the silent era. 

Available in the following formats:

Hardback, £27, ISBN 9781909230132
Paperback, £14.99, 
ISBN 9781909230101
From Amazon.co.uk
From Amazon.com
From The Book Depository (hardback)
From The Book Depository (paperback)

Amazon Kindle ebook, £8.99, 

ISBN 9781909230125
Apple ebook, £8.99, 
ISBN 9781909230118
(Through Apple / iTunes – search for title on iTunes bookstore)

 

Digital Sampler for London’s Hollywood

July 2nd, 2014

Take a look at the digital sampler for

London’s Hollywood: The Gainsborough Studio in the Silent Years to be published 15th July 2014